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Edith and Simone

Ronnie Verheyen

Genre: Biographic

Cast size: 12

Duration: Two Act

Ronnie Verheyen | Musical | Biographic | 5m, 6f, 1jrf

Short synopsis

A life-telling story about the French singer Edith Piaf seen through the eyes of her little known about half-sister, Simone. What does it mean for Simone to live in the shadow of an icon, to endure her tempers, to depend on her, emotionally as well as financially? All this combined with the strong conviction, perhaps even envy, that with a little bit of luck she could have been in Edith’s place.

Everybody knows the French singer Edith Piaf. Few people however, know that she had a half-sister who played an important part in her life.

To simply tell Edith’s biography, no matter how dramatic her life was, would be a repetition of earlier plays and films about the life of Piaf. It becomes a different story when that life is seen through the eyes of Simone.

This musical is the story of Simone. What it means for her to live in the shadow of the icon that is Edith Piaf; how to endure her tempers, to depend on her, emotionally as well as financially. All this combined with the strong conviction that with just a little bit of luck it is Simone that could have been in Edith’s place. Where does she now draw the line between naked self-interest and all the sacrifices she has to make? Where does love end and hate start? Or, as in many relationships, has envy blinded reality?

The play starts as a life-telling story, which is close to “La Vie En Rose”, but gradually turns into a tense confrontation between two strong characters. This confrontation is built on facts which sometimes bring a surprising new understanding of Piaf’s history that we thought we all knew. But historical facts are only those events that can be connected to a fixed date or time. For the rest, all that happened in the past is an inextricable knot of causes and effects, a twilight zone that has been kept together by memory and interpretation. Such an interpretation is ‘Edith & Simone’.

‘Edith & Simone’ contains 18 songs, some made famous by Piaf and some contemporary French pieces, together with a number of mood-setting pieces of underscore in a similar vein. Band parts are available for a 3 piece orchestra consisting of: Piano, Bass and Accordion.

(5m, 6f, 1f-jnr)

  • Edith Piaf : mezzo soprano, playing the character from her mid-teens until her mid-forties
  • Simone Berteaut : mezzo soprano, two years younger than Edith. (If the actress playing Simone cannot sing, an alternative approach is provided).

There are many cameo speaking roles that can be doubled if required. The list below shows the minimum number of male and female actors required, together with their preferred age and physical characteristics of those actors. The character names in bold type have moderate to significant amounts of dialogue. Young Edith and Man 5 sing one song each. 

  • Man 1 (25-30, tall, thin) : Man in opening scene  / Waiter / Guest at Cabaret Gerny / Yves Montand / Reporter 1 / Passenger at Airport / Visitor at Coney Island / Theo Sarapo
  • Man 2: (25-30, short or small) : Petit Louis / Newspaper Boy / Paul Meurisse / Man at Mobilisation / Man at Liberation / Reporter 2 / Passenger at Airport / Visitor at Coney Island / Charles Aznavour
  • Man 3: (40-45, corpulent, stout build) : Man in opening scene / Louis Leplée / Presenter at ABC, Concert Pacra & Moulin Rouge / Man at Mobilisation / Man at Liberation / Lou Barrier / Passenger at Airport / Visitor at Coney Island / Doctor 3
  • Man 4: (30-35, athletic build) : Man in opening scene / Georges Le Spahi / Man at Mobilisation / Man at Liberation / Marcel Cerdan / Visitor at Coney Island / Doctor 1
  • Man 5: (35-40, well built, able to sing) : Papa Louis / Edith’s ‘Client’ / Guest at Cabaret Gerny / Raymond Asso / Man at Mobilisation / Man at Liberation / Passenger at Airport / Clown at Coney Island / Stage Manager / Doctor 2
  • Girl: (8-10, thin build) : Young Edith / Girl at Mobilisation / Girl at Liberation / Passenger at Airport / Visitor at Coney Island
  • Woman 1: (25-35) : Nurse - Yvonne Chevalier / Newspaper Girl / Woman at Mobilisation / Woman at Liberation / Passenger at Airport / Visitor at Coney Island / Call-Girl
  • Woman 2: (25-35) : Woman in opening scene / Guest at Cabaret Gerny / Newspaper Girl / Woman at Mobilisation / Andrée Bigeard / Woman at Liberation / Passenger at Airport / Visitor at Coney Island / Call-Girl / Nurse 1
  • Woman 3: (25-35, able to play the piano) : Woman in opening scene / Guest at Cabaret Gerny / Woman at Mobilisation / Woman at Liberation / Passenger at Airport / Visitor at Coney Island / Marguerite Monnot / Nurse 2
  • Woman 4: (25-35) : Woman in opening scene / Guest at Cabaret Gerny / Woman at Mobilisation / Woman at Liberation / Passenger at Airport / Visitor at Coney Island / Call-girl / Nurse 3
Free

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Edith and Simone

Free
More information

If you require any additional information regarding this script, please don’t hesitate to contact us here.

Songs

1) Padam (Part) - Instrumental  

2) C'est L'Amour - Edith  

3) Les Mômes De La Cloche - Young Edith, then Edith 

4) Mon Légionnaire - Simone (Optional)  

5) Mon Apéro - Edith  

6) L'Accordéoniste - Edith 

7) Boulevard De La Crime - Instrumental Underscore  

8) Padam - Edith (and Simone)  

9) Le Fanion De La Légion - Edith

10) Romantic Piano Tune - Instrumental Underscore

11) Sous Le Ciel De Paris - Edith

12) Bal Dans Ma Rue - Edith

13) La Gualante De Pauvre Jean - Instrumental Underscore

14) Mon Dieu - Edith

~~ Interval ~~

15) Hymne À L'AmourEdith

16) Bravo Pour Le Clown - The Clown and Ensemble

17) La Vie En Rose - Edith

18) Parlez Moi D’Amour - Edith

19) In The Mood - Instrumental Underscore (by Woman 3)

20) La Foule - Edith

21) Milord - Edith

22) Les Blouses Blanches - Instrumental Underscore

23) C'est L'Amour - Edith

24) Non, Rien De Rien - Edith

Information for Production Administrators

Here's a list of all the supporting material available and some other information you might need. Pricing for the production materials is supplied automatically with a Perusal Set. Royalty pricing can only be provided as a formal quotation.

Available now (see below)

  • Preview Script/Libretto

You can download straightaway a shortened copy of the script/libretto to read and get a relatively good picture of whether you would like to proceed to the next step. The Preview E-Script is made available to you as a pdf file sized for A4 paper and contains just over half of the script.libretto.

  • Perusal Set

These are available for customers in European Union countries only to borrow free of charge (but you have to pay the postage to return the set to us). The set contains ...

  • Printed Libretto
  • Printed Piano/Vocal Score
  • Cast Recording Audio CD (from premiere production)

Available after Perusal - Libretti/Vocal Scores

  • Rehearsal Master Set on a Data CD (Cast).

This contains the script and piano vocal score for your cast and crew provided as A4 pdf files. No problem about possible loss of deposit, as they are yours to print out and mark up as required. The price includes a multiple copying licence allowing you to copy the Data CD itself (enabling you to give or sell copies to your cast for them to make up their own rehearsal books) or to make multiple prints of the pdf's on the Data CD for your production company to organise and provide to your cast or crew.

Please note that we do not sell individual printed copies of libretti, nor do we hire sets of printed rehearsal libretti or scores.

Available after Rights Obtained

  • Backing Tracks - Not available.
  • Orchestrations - These are available for a 16 piece orchestra as below, for hire to production companies only, who hold a valid, unexpired, licence to perform.
  • Saxophone x 5
  • Trumpets x 4
  • Trombones x 4
  • Keyboard / Piano
  • Drums
  • Bass

We have secured the rights to video productions of this title from the Author, and we manage them on his behalf. Once a 'Licence To Perform' has been granted, and then on payment of a fee, we will be able to issue a 'Licence To Record'. There are some strings attached to this, but these are far outweighed by the benefits.

  • Record one or more live performances and mix down to a single video
  • Give or sell copies to your cast and crew
  • Sell copies to your audiences (take advance bookings on the night)
Frequently asked questions

Can we try before we buy?

Of course! All our plays and pantomimes have a free Preview Script available for download as an A4 pdf file that contains 60-75% of the full script. If you like what you read in that then you can buy an inexpensive e-script of the entire play (generally costing under half the price of a traditional printed script) which is licensed to you for your personal use. Purchasing a script copying licence allows you to make a just sufficient quantity of copies to support rehearsals and performances.

All our musicals are included in our perusal service. Under this, representatives of producing organisations can request a USB Stick of Perusal Material  which comprise the script/libretto and piano/vocal score as pdf files; a Cast (or Studio) Recording as mp3 files and (where available) an mp4 file video of either the premiere production or of a subsequent production.

Some titles have the facility to read the entire script online on our website.

Do we need a Licence To Perform?

The simple answer is, yes.

Under the international laws of copyright, you must be in possession of a valid, unexpired, licence before performing any piece of theatre unless the owner or managers of the copyright has waived their rights. (See 'Copyright Questions' below).

Why do you insist on providing a formal royalties quotation?

When you request a quotation, it is logged in our system, it forms part of an orderly queue and protects your place in that queue should multiple licensing requests occur for the same show.

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