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Quasimodo

Steve Humfress & Andy Rapps

Genre: Drama

Cast size: 19

Duration: Two Act

Steve Humfress & Andy Rapps | Musical | Drama | 5m, 4f +Chorus

Short synopsis

Quasimodo is an exciting and dramatic musical adaptation of Victor Hugo’s tragic tale of the unfortunate hunchback and his unrequited love for the beautiful gypsy girl Esmeralda. Set amidst the fear, poverty and superstition of 15th century France this show has an epic quality that is hugely satisfying for principals, chorus and audience alike.

'Quasimodo' is an exciting musical adaptation of Victor Hugo’s tragic tale of the unfortunate hunchback and his love for the beautiful gypsy girl, Esmeralda.

Paquette, a young, single mother, has a beautiful baby daughter. The child is the result of Paquette’s desperate descent into prostitution, but with the birth of her child she has vowed to leave her old life behind. However, a passing band of gypsies, much taken with the child, steal her and leave a deformed baby boy in her place. The local women are horrified by the child’s deformities and, believing this to be the work of the devil, and fearing for the sanctity of their own souls, are about to burn him.

The local priest, Father Frollo, stops them and vows to bring up the child as his own. A distraught Paquette clings pathetically to one remaining tiny slipper as the only tangible memento of her lost child.Twenty years later, the people of Paris are about to celebrate The Feast of Fools Day by electing the King of Fools. This is pretty much a gurning competition. However, on this occasion, a surprise entrant is the badly deformed Quasimodo, the much feared, reclusive bell ringer of Notre Dame Cathedral.

In the intervening years, Father Frollo has climbed the ladder and is now Archdeacon of the Cathedral bringing his adopted child with him. Naturally, Quasimodo wins the competition hands down and, as part of the celebration, Esmeralda; a young gypsy dancer is persuaded to perform for Quasimodo. Frollo intervenes in this spectacle but he becomes suddenly consumed by an overpowering, and for him, frightening, lust for the beautiful gypsy girl. As he drags Quasimodo away, a mad old nun known as Sister Godule abuses Esmeralda but the crowd chase her off.

Sister Godule is in fact Paquette now twenty years older and driven to an insane hatred of gypsies by the loss of her daughter. As night falls Esmeralda dreams of the glamorous hero she hopes to meet one day. Her reverie is interrupted when Frollo attempts to abduct her with the help of Quasimodo. Her cries summon help in the shape of the Paris guard led by Captain Pheobus de Chateaus who superficially embodies everything that Esmeralda has dreamed of. In the confusion, Frollo escapes but Quasimodo is taken prisoner. Esmeralda flees but has caught the eye of Phoebus who finds a small slipper that she has dropped.

The next day Quasimodo appears in court before a deaf judge. As neither the defendant nor judge can hear each other a series of comic misunderstandings ensue resulting in Quasimodo being sentenced to a whipping in the town square. The crowd seize the opportunity to abuse the much-feared bell-ringer but are admonished for their cruelty by Esmeralda and she gives Quasimodo a drink of water. Goaded on by Paquette, the crowd turn on Esmeralda.

Phoebus drives the crowd away and arranges to meet Esmeralda later at the Inn where he lodges, under the pretext of returning her lost slipper. Unfortunately, this conversation is overheard by Frollo and consumed by jealousy he vows to kill her. Meanwhile, Quasimodo is overwhelmed by Esmeralda’s kindness to him but at the same time, realises that his physical deformities put her way beyond his reach.Emeralda meets Phoebus in his lodgings and she explains that she keeps the slipper in the hope that her long lost mother might see it. Phoebus is an experienced seducer and takes full advantage of Esmeralda’s vulnerability. But Frollo has followed Esmerlda to the Inn and he bursts into the room, confronts Pheobus and stabs him.

Esmeralda grabs Phoebus’ sword to ward off Frollo. The noise attracts a crowd and Frollo flees leaving Esmeralda standing over the dead Phoebus with sword in hand looking as if she has murdered the soldier. Sister Godule seizes the opportunity to show the crowd that she was right all along and Esmeralda is dragged off to prison.On a sunny morning an enthusiastic crowd gather to watch as Esmeralda is to be hanged as a witch. Sister Godule is much in evidence as she waits to enjoy the fruits of her labours. She explains to the people gathered around that she hates gypsies because they stole her daughter, shows them the baby’s slipper which she still carries, and that she has vowed revenge upon all gypsies.

Esmeralda arrives escorted by guards and the hangman. She is thrown onto the steps of the Cathedral to make her last confession to Frollo. Although she recognises him as the murderer she knows that nobody would believe her. He tells her he can still save her if she agrees to become his mistress but she angrily refuses. As she is about to be hanged, Quasimodo, who has been watching from the Cathedral, drags her from the scaffold and into the sanctuary of the Church. Sister Godule pleads with the guards to retrieve her but they tell her there is nothing they can do.

Quasimodo carries her into a small cell in the bell tower and tries to reassure a distraught Esmeralda. Having prepared herself for death she finds it hard to come to terms with her unexpected survival and the prospect of being virtually imprisoned in the Cathedral. He watches over her when she sleeps, as he only feels comfortable in her presence when she can’t see him and he dreams of a relationship he knows he can never have.

Eventually, he falls asleep outside her room. Frollo has found a different route to her cell and accuses the girl of deliberately setting out to destroy his soul and he attempts to rape her. Awakened by the noise, Quasimodo drives Frollo away. Frollo, determined that the girl should either be his or die, seeks out Sister Godule and hatches a plot with her to persuade the poverty stricken inhabitant of Paris to attack the Cathedral and distract Quasimodo so that they can seize Esmeralda back.

Sister Godule descends into the Parisian underworld and persuades the poverty stricken inhabitants that their misfortunes are the consequence of allowing a witch to stay alive. She whips the crowd into a superstitious frenzy and they set off to storm the Cathedral.Esmeralda contemplates her feelings about her rescuer. Whilst on the one hand, she is repulsed by his ugliness she also recognises that he is a true and faithful friend and in many ways epitomises the man she has always dreamed of. Her reverie is interrupted by the arrival of the mob below.

Quasimodo tells her to stay hidden whilst he fights off the attackers. Frollo takes Sister Godule to Esmeralda’s hiding place. She suddenly spots the slipper hanging at Esmeralda’s throat and eventually realises that the object of her hatred is in fact her own beloved daughter. She turns a knife on Frollo and attempts to force an escape. Although she wounds him, he manages to disarm her and is going to kill Esmeralda but the mother throws herself in the way of the fatal blow and is mortally injured. Whilst Esmeralda cradles her dying mother, Frollo takes some of the attackers to her hiding place and they drag her into the street to be hanged.

Quasimodo has had to kill Frollo to attempt a rescue but arrives in time to see her dead body hanging. Heartbroken, he holds the dead girl in his arms. The mob, seeing his raw grief, are quelled into shamed silence.

Principals (3m, 2f)

  • Paquette: Ages from a young woman in her mid 20’s to a haggard middle-aged Nun (Sister Godule)
  • Frollo: A kindly priest who falls from grace
  • Esmeralda: A beautiful young gypsy girl
  • Quasimodo: A man with a horribly deformed face and a hunchback
  • Phoebus: a strong, handsome soldier

Support(2m, 1f, 1m/f)

  • Fortune Teller (f)
  • Paquette's Friend (f)
  • Judge (m)
  • Soldier (m)
  • Landlord : Could be played as a Landlady with minor adjustments to dialogue

Chorus/Ensemble :

  • Gypsy's and Parisiens (including small cameo roles of : Monks, Gypsy King, Woman (several), Man (several), Barker (m), Clerk (m), Hangman & Guard)

"... a thought-provoking musical possessed of depth, drama, emotionand memorable melodies"

Jan Wyles, East Anglian Daily Times

"A number called 'Pay!', sung by the Parisian peasants, had an in-your-face,
barricade-storming intensity that made the hairs rise ..."

"One of the best publicised local shows of recent years turned out to be one of the best."

Basil Abbott, Diss Community Review

Free

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Quasimodo

Free
More information

This item is only available from us to customers in UK and Europe.

If you are outside this area, please click here: David Spicer Productions

If you require any additional information regarding this script, please don’t hesitate to contact us here.

Songs
  • 1) Overture - Orchestra 
  • 2) Lullaby - Paquette 
  • 3) Gypsy Dance - Chorus & Dancers 
  • 4) From The Day You Are Born - Paquette & Chorus 
  • 5) When I Was Young - Paquette 
  • 6) Fortune Telling - Paquette & Women 
  • 7) The Devil's Child - Paquette & Women 
  • 8) Just This Shoe - Paquette 
  • 9) Ugly Faces - Chorus
  • 10) Praise The King - Quasimodo & Chorus
  • 10A) We’re All Of Us Dancers(Prelude) - Orchestra (Underscore)
  • 11) We’re All Of Us Dancers - Esmeralda, Frollo, Paquette & Chorus
  • 12) I Dream Of My Hero - Esmeralda
  • 13) Assault - Frollo & Esmeralda
  • 14) The Judge’s SongJudge - Quasimodo & Chorus
  • 15) Whip Him - Chorus with Quasimodo & Esmeralda
  • 16) Entrance of Paquette - Paquette, Phoebus, Esmeralda & Chorus
  • 17) She Must Die / She Gave Me Water - Frollo & Quasimodo
  • 18) This Pretty Shoe - Esmeralda (with Phoebus)
  • 19) Understand - Esmeralda & Phoebus
  • 20) Accused - Paquette & Chorus

~~Interval ~~

  • 21) Entr’acte - Orchestra & Chorus
  • 22) Send Them All Back To Hell - Paquette & Man
  • 23) Here Comes The Gypsy Girl - Paquette, Frollo, Esmeralda & Chorus
  • 24) I’m Still Alive / When She Lies Sleeping - Esmeralda & Quasimodo
  • 25) One More Day - Frollo, Paquette, Esmeralda & Quasimodo
  • 26) Tonight All Our Sorrows We’ll Drown - Chorus & Paquette
  • 27) Pay! - Paquette & Chorus
  • 28) See The Man - Esmeralda
  • 29) The Attack - Paquette, Esmeralda, Frollo, Quasimodo & Chorus
  • 30) Curtain Calls - Company
  • 31) Playout - Orchestra
Information for Production Administrators

Here's a list of all the supporting material available and some other information you might need. Pricing for the production materials is supplied automatically with a Perusal Set. Royalty pricing can only be provided as a formal quotation.

Available now (see below) ...Preview Script/Libretto

You can download straightaway a shortened copy of the script/libretto to read and get a relatively good picture of whether you would like to proceed to the next step. The Preview E-Script is made available to you as a pdf file sized for A4 paper and contains just over half of the script.libretto.

Perusal Set

These are available for customers in European Union countries only to borrow free of charge (but you have to pay the postage to return the set to us). The set contains ...

  • Printed Libretto
  • Printed Piano/Vocal Score
  • Sampler Audio CD (selected tracks)

Available after Perusal -

Libretti/Vocal Scores

Available to purchase -

  • Rehearsal Master Set on a Data CD (Cast).

This contains the script and piano vocal score for your cast and crew provided as A4 pdf files. No problem about possible loss of deposit, as they are yours to print out and mark up as required. The price includes a multiple copying licence allowing you to copy the Data CD itself (enabling you to give or sell copies to your cast for them to make up their own rehearsal books) or to make multiple prints of the pdf's on the Data CD for your production company to organise and provide to your cast or crew.

Please note that we do not sell individual printed copies of libretti, nor do we hire sets of printed rehearsal libretti or scores.

Available after Rights Obtained

  • Backing Tracks - Not available for this title
  • Orchestrations - These are available for a 13 piece orchestra as below, for hire to production companies only, who hold a valid, unexpired, licence to perform.

  • Bass
  • Cello
  • Clarinet
  • Flute
  • Horn
  • Keyboard
  • Oboe
  • Percussion
  • Timpani
  • Trumpet
  • Viola
  • Violin 1
  • Violin 2
  • MD's Full Score

We have secured the rights to video productions of this title from the Author, and we manage them on his behalf. Once a 'Licence To Perform' has been granted, and then on payment of a fee, we will be able to issue a 'Licence To Record'. There are some strings attached to this, but these are far outweighed by the benefits.

  • Record one or more live performances and mix down to a single video
  • Give or sell copies to your cast and crew
  • Sell copies to your audiences (take advance bookings on the night)
Frequently asked questions

Can we try before we buy?

Of course! All our plays and pantomimes have a free Preview Script available for download as an A4 pdf file that contains 60-75% of the full script. If you like what you read in that then you can buy an inexpensive e-script of the entire play (generally costing under half the price of a traditional printed script) which is licensed to you for your personal use. Purchasing a script copying licence allows you to make a just sufficient quantity of copies to support rehearsals and performances.

All our musicals are included in our perusal service. Under this, representatives of producing organisations can request a USB Stick of Perusal Material  which comprise the script/libretto and piano/vocal score as pdf files; a Cast (or Studio) Recording as mp3 files and (where available) an mp4 file video of either the premiere production or of a subsequent production.

Some titles have the facility to read the entire script online on our website.

Do we need a Licence To Perform?

The simple answer is, yes.

Under the international laws of copyright, you must be in possession of a valid, unexpired, licence before performing any piece of theatre unless the owner or managers of the copyright has waived their rights. (See 'Copyright Questions' below).

Why do you insist on providing a formal royalties quotation?

When you request a quotation, it is logged in our system, it forms part of an orderly queue and protects your place in that queue should multiple licensing requests occur for the same show.

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