EssGee Entertainment's musical theatre adaptation of 'The Mikado' takes the gentle humour of Gilbert's original words and introduces, additional more modern elements to maintain the interest of a contemporary audience. A number of the principals have some very funny lines to deliver, often during business which verges on pantomime.
Synopsis
Characters
Reviews
Simon Gallaher's Essgee Entertainments has brought Gilbert and Sullivan into the twenty-first century through modern orchestrations, tighter funnier scripts, a fabulous 'megamix' finale, and the unique funky female chorus in three part harmony.
To many people the story told in 'The Mikado' really needs no long-winded explanation (but if you need the synopsisplease click here). The Mikado is universally acknowledged as Gilbert and Sullivan's masterpiece - not so much a national, as an international British treasure, and, in 1865 at the Savoy Theatre, London, the curtain went up for the first time on 'a new Japanese opera in two acts by WS Gilbert and Sir Arthur Sullivan'. Perenially popular since that historic premiere, The Mikado now being out of copyright, is played hundreds of time a year often in versions individually modified by the group performing it.
There are also two commercial versions which are copyrighted - the 'Hot Mikado' version played in modernised costumes with the Sullivan score reorchestrated along a variety of musical styles including swing, jazz, blues, gospel, together (with a touch of Andrews Sisters),and this one, the high-energy Australian version,played in traditional costume.
Here some of Sullivan's music has been 'jazzed up' slightly (notably some of the chorus numbers), but the most beautiful and lyrical numbers remain untouched. The most striking alteration is the ability to reduce, if required, the female chorus down to three, and a huge 'megamix' style finale.
EssGee Entertainment's adaptation of 'The Mikado' takes the gentle humour of Gilbert's original words and introduces, additional more modern elements to maintain the interest of a contemporary audience. A number of the principals have some very funny lines to deliver, often during business which verges on pantomime.
The end product is true to the spirit of G&S, and unlike the 'Hot Mikado', it is played in traditional costume, but it is still much more accessible for today's theatregoer.
Essgee Entertainment hasthoroughly updated three of these Victorian operetta(HMS Pinafore, The Mikado and The Pirates Of Penzance) allowing today's theatregoer a fresh look at these classics. Almost all the original songs and tunes are included though and despite the 'pop feel' of many of the chorus numbers the most beautiful solos are untouched. The end product is true to the spirit of Gilbert and Sullivan, but much more accessible for today’s audiences.
Principals (4m, 5f)
Nanki-Poo - a wandering minstrel (m)
Pooh-Bah - Lord High Everything Else (m)
Ko-Ko - Lord High Executioner of Titipu (m)
Yum-Yum - Ward of Ko-Ko (f)
Pitti Sing, Peep Bo and Yo-Ko - Yum-Yum's sisters, also wards of Ko-Ko
Katisha - a mature lady
The Mikado of Japan (m)
Support (1m/f)
Pooh-Bah's servant (m/f)
Chorus of : Gentlemen of Japan; More 'sisters' of Yum-Yum
"Brisbane hasn't seen a sillier, or funnier, musical at the Lyricsince Mel Brooks'The Producers." Jason Whittaker, Australian Stage
"An unfolding caravan of delights" - Sydney Morning Herald.
17) A More Humane Mikado - Mikado, Maids & Ensemble
18) The Criminal Cried As He Dropped Him Down - Ko-Ko, Maids, Pooh-Bah & Ensemble
19) The Flowers That Bloom In The Spring - Nanki-Poo, Ko-Ko, Yum-Yum, Maids & Pooh-Bah
20) Alone and Yet Alive - Katisha
21) Tit-Willow - Ko-Ko
22) There Is Beauty In The Bellow Of The Blast - Katisha & Ko-Ko
23) For He's Gone And Married Yum-Yum - Company
24) Finale 1885 - Company
25) Megamix Finale - Company
Information for Production Administrators
Here's a list of all the supporting material available and some other information you might need. Pricing for the production materials is supplied automatically with a Perusal Set. Royalty pricing can only be provided as a formal quotation.
Available now (see below)
Perusal Set
These are available to bona-fide producing organisations only to request free of charge. The set contains ...
Printed Libretto (Cast Version, see below)
Printed Piano/Vocal Score
Full Production Video (of the original professional production)
Available after Perusal
Libretti/Vocal Scores
Available to purchase as a Rehearsal Master Set on a Data CD (Cast). This contains the script and piano vocal score for your cast and crew provided as A4 pdf files. No problem about possible loss of deposit, as they are yours to print out and mark up as required. The price includes a multiple copying licence allowing you to copy the Data CD itself (enabling you to give or sell copies to your cast for them to make up their own rehearsal books) or to make multiple prints of the pdf's on the Data CD for your production company to organise and provide to your cast or crew.
Please note that we do not sell printed copies of the libretti, nor do we hire sets of printed rehearsal libretti or scores.
Available after Rights Obtained
Backing Tracks
Not available.
Orchestrations
These are available for a 6 piece band as below, for hire to production companies only, who hold a valid, unexpired, licence to perform.
Keyboard 1
Keyboard 2
Keyboard 3
Percussion 1 (Drum Kit)
Percussion 2 (Timps and Glock, Xylo etc)
Electric Bass Guitar
Please Note:1) There is no MD's full score.2) The entire set of six scores are handwritten and are copies of those that were used in the 1996 Australian Tour. They are not easy to read, they have numerous cuts applied and they have many annotations added by the original members of the band. We have set a very low rental price to reflect this.
We have secured the rights to video productions of this title from the Author, and we manage them on his behalf. Once a 'Licence To Perform' has been granted, and then on payment of a fee, we will be able to issue a 'Licence To Record'. There are some strings attached to this, but these are far outweighed by the benefits.
Record one or more live performances and mix down to a single video
Give or sell copies to your cast and crew
Sell copies to your audiences (take advance bookings on the night)
Frequently asked questions
Can we try before we buy?
Of course! All our plays and pantomimes have a free Preview Script available for download as an A4 pdf file that contains 60-75% of the full script. If you like what you read in that then you can buy an inexpensive e-script of the entire play (generally costing under half the price of a traditional printed script) which is licensed to you for your personal use. Purchasing a script copying licence allows you to make a just sufficient quantity of copies to support rehearsals and performances.
All our musicals are included in our perusal service. Under this, representatives of producing organisations can request a USB Stick of Perusal Material which comprise the script/libretto and piano/vocal score as pdf files; a Cast (or Studio) Recording as mp3 files and (where available) an mp4 file video of either the premiere production or of a subsequent production.
Some titles have the facility to read the entire script online on our website.
Do we need a Licence To Perform?
The simple answer is, yes.
Under the international laws of copyright, you must be in possession of a valid, unexpired, licence before performing any piece of theatre unless the owner or managers of the copyright has waived their rights. (See 'Copyright Questions' below).
Why do you insist on providing a formal royalties quotation?
When you request a quotation, it is logged in our system, it forms part of an orderly queue and protects your place in that queue should multiple licensing requests occur for the same show.
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If you need help with our scripts, please contact our customer service team, we would be more than happy to help.
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