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Hooked

Max Kinnings, Matthew James & Nick Hale

Genre: Drama

Cast size: 6

Duration: 75 mins approx

Max Kinnings, Matthew James & Nick Hale | Musical | Drama | 2m, 4f

Short synopsis

A story about impulsiveness,
a story about naivety,
a story about loyalty, class and money,
sex and drugs, the haves and the have-nots.

Ultimately though, it's a story about reckless love
and one man's inability to say 'no'

A vibrantly addictive new musical from
Nick Hale and Matthew James (the team behind legendary Bacardi and Guinness commercials) alongside Max Kinnings, Rik Mayall's writing partner

On the surface the story is about a man going off the rails at the mercy of a mass of addictions.

Ben is hooked on alcohol, cocaine and sex and it turns his world upside down. Under pressure to be successful from his wife, Emma, Ben throws himself into his work. Working late in media-land he gets drawn into an intoxicating world of thrill-seeking. Stoked up on success, coke, champagne, hookers and hangers-on he starts to think he's invincible and steadily loses touch with his own identity. In the process he ruins a business and the lives of the two very different women that have fallen for him.

Ben becomes a frequent visitor to The Ruby Lounge, a seedy dance club owned by drug-pusher Parnell - a violent man who leaves his clients in no doubt as to how ruthless he can be and what could happen if ever a debt were not settled. Whoever Ben was has left the building and no-one's interested in what's left - except for an unlikely saviour in the shape of Monique - a high-class escort from Eastern Europe employed with Angel and Odette as one of Parnell's club dancers.

Emma has now to accept she's living in an illusion. She is taken to the limit and finally takes action. Ben goes into freefall, suffers a dramatic heart attack, goes to re-hab, gets clean but resorts to using Monique rather than facing the crisis full on. We watch helplessly as desperate Monique embarks on a doomed romance with Ben, only to discover she is pregnant. She plans to tell Ben but he talks first and after she's heard what he has to say she decides to keep her secret to herself. Desperately unhappy with her duties at the Club, she decides to run away. Given that she has become a popular attraction at the club, Parnell is angry and his ominous presence closes in on her, resulting in him forcing her to contract an infectious terminal illness.

In this story everyone is hooked on something. Apart from Ben, everyone is hooked on money - however palatably it's dressed up. Monique and Emma are both hooked on Ben. Whether your drug is money, men, cocaine, sex, status, control or power is not the point. What 'Hooked' reveals is that unhealthy addictions are rife in society and come at a high price. 'Hooked' will appeal because like any great dramas, it sets your emotions on fire. You'll be amused by Ben's capers, you'll get angry at the both the male leads as they destroy the lives of the female protagonists. You'll be full of dread as the shadowy, menacing figure of Parnell closes in on the unaware couple. And finally you'll be fighting back the tears as Monique's fate is revealed. Only in the final scene are we offered some hope as we see Ben and Emma united with Monique's orphaned son. Ben has learned his lessons and with renewed strength of character he can lead his life according to his natural moral code.

Principals (2m, 2f)

  • Ben

On the outside, Ben is a charmer and a chancer, he is popular and talented. But on the inside he’s falling apart. The trouble is that he doesn’t know what he wants. Ben lives two lives, one that is comfortable, suburban and dull, and one that is exciting and fun but also dangerous and addictive. He’s gradually being torn apart and something’s got to give. The two different worlds he inhabits can no longer be kept apart and are about to collide with disastrous consequences. Will Ben survive, or is he destined to keep on making the same mistakes again and again?

  • Emma

In the upper middle class, middle-England world from which Emma comes, someone like Ben is considered an oddity. But it’s the fact that he’s an unpredictable maverick that appeals to her. So much more interesting than those lawyers and City types. But as much as she enjoys Ben’s unconventional job and quirky outlook on life, she also craves the safety and comfort of a rock solid family life. And up until recently, Ben was shaping up pretty well in that department. But now something’s changed...

  • Monique

Innocent, hungry for adventure, and full of dreams of becoming a professional singer, Monique is also desperate to escape the misery of her childhood back home in Romania. Moving to London is a fresh start for her. She would rather she wasn’t working at The Ruby Lounge – but it’s not as if it’s permanent and it is show business – of sorts. She will save her money, bide her time, and grab all the opportunities that come her way. London is the place where dreams come true – isn’t it?

  • Parnell

As manager of The Ruby Lounge, Parnell sees two types of punters come through the doors: the ones who are passing through, just flirting with danger; and then there are the others, the regulars, the ones who are sucked in and can’t help themselves. These are the ones who pay the bills, keep him in good suits, maintain his lifestyle. Parnell cultivates them, grooms them, keeps them happy – just as he does with his girls. It doesn’t mean that he likes them; he’s just taking care of business. And sometimes people get hurt. It’s nothing personal – it’s just the law of the jungle.

Support(2f)

  • Odette

Odette is one of life’s survivors. Having grown up on the mean streets of South London, there’s very little that will shock her, even working at The Ruby Lounge. She watches the other girls come over from eastern Europe and she can see that most of them are like lambs to the slaughter. She tries to watch out for them. She does what she can to keep them from harm; tries to help them toughen up. But there’s only so much that you can do. It’s a brutal world out there.

  • Angel

When you’ve been thrown out and cut off by your rich parents for your total lack of repentance for a string of petty offences, you do what you can to get by. Life is ever thus for Angel. But it turns out that she’s pretty good at what she does. She’s found her slot. There are rich pickings to be made from the punters who slather and drool over her. Late at night, full of booze and drugs and dizzy with lust, they’re not exactly careful with their cash and personal belongings.

'Hooked' was very well received by press and public alike when it premiered at the George 4 venue at the Edinburgh Fringe and subsequently
when it transferred to the Theatre 503 in Battersea.

The reviews from national media such as Capital Gold, The Times and the Mail On Sunday, as well as the fringe reviewers, stand testament to the both the strength and sensitivity of 'Hooked' and its creators.

“Bears all the hallmarks of the most stylishly exciting musical since Cabaret.See it or live to regret it!” - Samantha Hughes, Capital Gold

“A modern day morality tale about a city slicker’s decline and fall,replete with dancing girls, cocaine comedowns, a very evil gangsterand some extremely catchy pop songs, including one set in a rehab clinic.What’s not to like?” - The Times

“Every once in a blue moon there pops up an innovative musical that grabs you by the (metaphorical) balls... Hooked is one of those.”

“With a gritty plot and glitzy songs from the team of Nick Hale, Matthew James and Max Kinnings, Hooked works because it tackles serious issues without losing the intimate quirks of these very human protagonists.”

“...the theatrical phenomenon that other productions can only dream of.” - Nick Awde,The Stage

“... a rewarding walk on the wild side” - Mark Wareham, Mail on Sunday

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Hooked

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More information

If you require any additional information regarding this script, please don’t hesitate to contact us here.

Songs

1) Ready To Roll - Odette, Angel and Monique 

2) Long Live Love - Ben 

3) You’re Not The Moon - Emma 

4) Written On The Wall - Emma 

5) Where The Pleasure Lies - Odette, Angel and Monique 

6) Ready To Roll (Reprise) - Instrumental 

7) We’re Gonna Find Another Way - Monique 

8) What I’m Looking For - Ben 

9) Patience - Emma

10) Easy Street - Ben

11) Satellite - Monique1

2) Don’t Let Me Down - Ben and Monique

13) Gypsy Girl - Ben

14) Where The Pleasure Lies (Reprise) - Instrumental

15) Riverside - Ben

Information for Production Administrators

Here's a list of all the supporting material available and some other information you might need. Pricing for the production materials is supplied automatically with a Perusal Set. Royalty pricing can only be provided as a formal quotation.

Available now (see below)

  • Preview Script/Libretto

You can download straightaway a shortened copy of the script/libretto to read and get a relatively good picture of whether you would like to proceed to the next step. The Preview E-Script is made available to you as a pdf file sized for A4 paper and contains just over half of the script.libretto.

  • Perusal Set

These are available for customers in European Union countries only to borrow free of charge (but you have to pay the postage to return the set to us). The set contains ...

  • Printed Script
  • Studio Cast Recording Audio CD

Available after Perusal - Libretti/Vocal Scores

  • Rehearsal Master Set on a Data CD (Cast).

This contains the script and piano vocal score for your cast and crew provided as A4 pdf files. No problem about possible loss of deposit, as they are yours to print out and mark up as required. The price includes a multiple copying licence allowing you to copy the Data CD itself (enabling you to give or sell copies to your cast for them to make up their own rehearsal books) or to make multiple prints of the pdf's on the Data CD for your production company to organise and provide to your cast or crew.

Please note that we do not sell individual printed copies of libretti, nor do we hire sets of printed rehearsal libretti or scores.

Available after Rights Obtained

  • Backing Tracks - Not available.
  • Orchestrations - Not available. This musical can only be performed to the professionally produced backing tracks.

We have secured the rights to video productions of this title from the Author, and we manage them on his behalf. Once a 'Licence To Perform' has been granted, and then on payment of a fee, we will be able to issue a 'Licence To Record'. There are some strings attached to this, but these are far outweighed by the benefits.

  • Record one or more live performances and mix down to a single video
  • Give or sell copies to your cast and crew
  • Sell copies to your audiences (take advance bookings on the night)
Frequently asked questions

Can we try before we buy?

Of course! All our plays and pantomimes have a free Preview Script available for download as an A4 pdf file that contains 60-75% of the full script. If you like what you read in that then you can buy an inexpensive e-script of the entire play (generally costing under half the price of a traditional printed script) which is licensed to you for your personal use. Purchasing a script copying licence allows you to make a just sufficient quantity of copies to support rehearsals and performances.

All our musicals are included in our perusal service. Under this, representatives of producing organisations can request a USB Stick of Perusal Material  which comprise the script/libretto and piano/vocal score as pdf files; a Cast (or Studio) Recording as mp3 files and (where available) an mp4 file video of either the premiere production or of a subsequent production.

Some titles have the facility to read the entire script online on our website.

Do we need a Licence To Perform?

The simple answer is, yes.

Under the international laws of copyright, you must be in possession of a valid, unexpired, licence before performing any piece of theatre unless the owner or managers of the copyright has waived their rights. (See 'Copyright Questions' below).

Why do you insist on providing a formal royalties quotation?

When you request a quotation, it is logged in our system, it forms part of an orderly queue and protects your place in that queue should multiple licensing requests occur for the same show.

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