Stage adaptation by John Plews | Musical | Jukebox | Full Length | 5m, 5f
Short synopsis
Stage version of the iconic 60’s British pop movie using the songs from the film.
Performance permission is subject to a licence agreement with the holders of the film rights.
Licensed by Stagescripts in the UK and Overseas
For Licensing in USA contact Ovation
Synopsis
Characters
Reviews
The Young Ones was made and released in 1961, originally written as a screen vehicle for Cliff Richard, at the time, Britain’s answer to Elvis. This adaptation for the stage contains all the songs from the film plus four other top ten hits. Songs include Livin’ Doll, We Say Yeah, Please Don’t Tease, Do You Wanna Dance and, of course, The Young Ones. It is evocative of the early 60’s, the era that witnessed the emergence of ‘The Teenager’, the bête noir of parents and the authorities alike. For those who remember the movie the first time around, re-live your youth – for those too young, come and see what your parents (or grand-parents) held hands to in the back row of the cinema!! The show is not a homage to Cliff Richard and the link should be played down. The actor/singer playing Nicky should not be a Cliff look-a-like, but a young leading man playing a role that was written in 1961. The setting switches between a west London youth club, a property developers office and the interior of The Empire Theatre, Finsbury Park.
The Young Ones is the story of teenagers fighting to save their local youth club from imminent demolition at the hands of a property tycoon. They decide to raise money and awareness of their plight by putting on a variety show, promising that a mystery singer will top the bill. But who is this heart-throb hipster who will whip the local teenagers into a frenzy and help raise enough cash to save the day? What is his connection to the property tycoon? Who is the ‘famous French singer’ drafted in to help? All is revealed with much song and dance.
5m, 5f with doubling
Youth Club Members - all late teens / early twenties
Nicky - Youth Club Leader
Ernest - Solicitors Clerk
Jimmy - Cheeky Chappie
Chris - Rock ‘n’ Roll Fan
Toni - Full of New Ideas – Nicky’s Girlfriend
Wendy - Vivacious – Ernest’s Girlfriend
Pam - Up for a Laugh – Jimmy’s Girlfriend
Barbara - Born Organiser – Chris’s Girlfriend
Alma - New Member of the Club
HamiltonBlack (aged 50-55) - Nicky’s Father – Property Tycoon
Other Roles - Can be played by members of the company
Dorinda Morrell (played by Alma) - Famous French Singer
Mr Dench (played by Jimmy) - Solicitor
Watts (played by Ernest) - GPO Supervisor
Winnie (played by Wendy) - Assistant to Watts
Police Officer (played by Hamilton Black) - Chief Inspector
Woman (played by Pam) - In the Market
Our king of rock ‘n roll is better than any panto! This neat stage production of The Young Ones, an all-singing, all-dancing film vehicle from 1961, might make: the Cliff scrooges reconsider. Love Cliff or hate Cliff, this show is better than any panto that you might be thinking about taking the family to this year. Richard Osley, Camden New Journal
This effervescent adaptation of an anodyne but amiable Cliff Richard film from 1961 is unexpectedly good fun. John Plews has transferred Peter Myers and Ronnie Cass' original screenplay to the stage, preserving it's bright, bubble-headed optimism. Donald Hutera, The Times
In this stage adaptation, John Plews has added a few more Cliff Richard numbers and turned the show into a delightful piece of 1950s nostalgia. Aline Waites, Ham & High
'The Young Ones', faithfully adapted from the 1961 movie starring Cliff Richard, is a camp nostalgic treat aimed, title notwithstanding, at the slightly older ones. Despite this still being panto season, 'The Young Ones' is probably the most wholesome entertainment on offer in London at the moment. John Plews' adaptation honours the spirit of Peter Myers and Ronnie Cass' original screenplay, which means that the tone is amiably corny and distinctly unironic. RS, The Metro
Once again Upstairs at the Gatehouse has produced an energetic, youthful production without a hint of Christmas about it. Performed on Mike Lees’ multi-coloured set, John Plews’ script retains the, shall we say, charm of the original Cliff Richard movie. Jeremy Austin, The Stage
A wonderfully fast and furious musical that should have you tapping your toes from start to finish and certainly not to be missed! Dale Maitland Cartwright, Hornsey & Crouch End Journal
The Gatehouse’s Young Ones is a welcome new alternative entry into this festive seasons offerings, while remaining steadfastly unseasonal. With it’s tongue firmly planted in it’s cheek, The Young Ones never takes itself too seriously and as a light hearted, sixties musical escape it certainly is an alternative, holiday period joy. Geoff Ambler, Reviews Gate
Once again Upstairs at the Gatehouse comes up trumps with its new Christmas show – The Young Ones. A young, enthusiastic cast, all clearly possessing that elusive, much-sought, X-Factor, breathe infectious fun into this reworking of the classic 60’s film, that was originally a vehicle for Cliff Richard. Racky Plews, director and choreographer, manages the entire production with skill, clear understanding for the period and due reverence for the piece. In the tradition of the simple plot premise of ‘let’s put on a show’, she succeeds in spades. This is a show with legs, sing-along appeal – amply demonstrated with Livin’ Doll – and hopefully a future. Definitely an excursion worth taking for the young ones – and older ones too! Theatremonkey.com
PLEASE NOTE: 'The Young Ones' licensing is only by arrangement with Canal + image UK and EMI Music Publishing
John Plews also offers stand alone Talks
Titanic - Fascinating Stories Behind The Maritime Disaster
Sixty Years in Showbiz
To Sea Or Not To Sea...a Cruise could be the Answer
www.ovationtheatres.com/talks/
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Songs
Act One 1) Friday Night (Full Company) 2) Got a Funny Feeling (1) (Nicky) 3) Peace Pipe (Band - Instrumental) 4) Nothing's Impossible (Ernest & Wendy) 5) Nothing's Impossible (Reprise) (Full Company) 6) Got A Funny Feeling (2) (Chris) 7) The Young One's (Nicky) 8) Do You Wanna Dance (Barbara) 9) Please Don't Tease (Chris)
10) Lessons In Love (1) (Nicky & Toni) 11) Lessons In Love (2) (Nicky & Dorinda) 12) All For One (Full Company)
Act Two 13) What D'You Know, We Got A Show (Toni & Full Company) 14) When The Girl In Your Arms (Nicky) 15) Lessons In Love (3) (Nicky & Dorinda) 16) No One For Me But Nicky (Toni) 17) All For One (Reprise) (Full Company) 18) Nine Times Out Of Ten (Jimmy)
19) I Love You (Pam) 20) When The Girl In Your Arms (Reprise) (Nicky) 21) We Say Yeah (Nicky & Full Company) 22) The Savage (Band - Instrumental) 23) Livin' Doll (Nicky)
24) We Say Yeah (Reprise) (Nicky & Full Company) 25) What D'You Know, We Got A Show (Reprise) (Dorinda & Full Company)
Information for Production Administrators
RECORDED MUSIC
Walk In - A compilation of 1961 / 62 hits as long as they are not Cliff Richard songs from the show.
Opening Song: “Friday Night” must be performed to a backing track as, during the song, the band should be setting up their instruments, joining the youth club members who are getting ready etc. The backing track is available from Ovation.
“When the Girl in Your Arms” needs pre-recording by Nicky to use in the “broadcast” sequence.
Walk Out / Walk In - Interval: The Shadows
greatest (Sixties) hits.
Walk Out After the Bows: The Shadows – Wonderful Land
SOUND EFFECTS - The television sequences should be recorded using a newsreader. The sequences should be played back through a video screen (made to look like a sixties television) built into the set. Some of Toni’s voice-overs should be
pre-recorded. The crowd noises also might need pre-recording.
MICS - Modern radio mics can be used if well hidden. However, it’s a nice touch if the band’s mic that Nicky uses for 'Got A Funny Feeling', 'Lessons In Love', 'We Say Yeah' and 'Livin’ Doll' is an old fashioned Shure skull type mic (Shure 55SH Series II).
BAND - Minimum requirement is a four-piece band.
Piano/ Keyboards,
Guitar,
Bass,
Drums.
It’s useful if the keyboard has a string sound for “The Young Ones” and the pianist can play Rhythm guitar (or fake it) for The Savage and the “Shadows Walk”. The drummer will need a cowbell, blocks and lots of ‘toys’ for 'What D’You Know We Got A Show'.
SETTING - The action takes place over nine days during the summer of 1961. The setting switches between a west London youth club, a property developers office and the interior of The Empire Theatre, Finsbury Park. There are also small scenes in a market place and a GPO office.
The opening scene is 'London exterior' - however this can be represented by lighting as, after a few lines, the company begin to arrange all the props and furniture in the youth club so that the club is ready for the Friday night dance by the end of the song. The scenes in Act I then switch between the youth club and Hamilton Black’s office.
Act II takes place in The Empire Theatre Finsbury Park, which was built in 1910 and closed in May 1960. It would have been empty, gathering dust, for over a year by the time the youth club members move in. There are some short scenes in the GPO office, a market and the theatre dressing room.
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