“A perfect piece ... captivating, funny and really quite moving.”
Set in a typical English village - and easily staged with minimal props and scenery - ‘Rude Awakenings’ is a charming comedy which mixes both broad and subtle humour with truthful insights into the pain and pathos that can sometimes lie beneath the surface of village life.
A perfect one-act play for local drama groups, ‘Rude Awakenings’ has four strong and very different female parts: Pauline, the bossy but vulnerable local organiser of the Little Gissing Art Group; Astrid, Pauline’s apparently shy young lodger who in fact has a disreputable past and looks set to enjoy an adventurous future; Harriet, Pauline’s old school friend who disguises her wit, wisdom and personal tragedy by seeming much sillier than she is; and Olivia, the sophisticated owner of a London gallery, who has travelled the world and knows all about art but still has a great deal to discover about life.
Everything normally runs so smoothly at the Little Gissing Art Group’s ‘Annual Exhibition and Competition’ in the Village Hall but this year it’s all going wrong. There are mishaps, misunderstandings, all sorts of complications and some really very shocking revelations!
Olivia has been asked to judge the competition this year, and one of the paintings on display catches her eye. She recently moved to the village with her much younger male partner, but she lives in London during the week, leaving him behind, and, in the absence of the cat, that mouse is definitely able to play.
Astrid is a young woman with a lot of free time and has now discovered her artistic talent for capturing the male human form on canvas in a non-naturalistic way. She has entered a piece into the art competition, and when Olivia recognises the setting of the painting, the model becomes only too clear to her too. With Pauline fussing and chivvying, working and hoping for a stress-free event, and Harriet simultaneously providing a shoulder to cry on and being a comic foil, the prize-giving ceremony lurches inevitably towards a crisis for Olivia and success (in a number of ways) for Astrid.
Full of laughter – with a tear or two – ‘Rude Awakening’s revolves around the loves, lives and losses of the four women whose stories are at the same time intriguing, entertaining and really rather moving.
Mary Dawson, West Meon Theatre “Set in a comfortable country village (and easily staged with minimal props and scenery) Rude Awakenings is a bittersweet comedy full of charm and humour which manages, nonetheless, to delve beneath the surface of middle-class village life to reveal some of the pain of relationships both past and present.”
Joanna Harry, St Michael’s Players, Chiswick “A great One Act play for a cast of four – the story’s really clever and you can imagine it actually happening. Then the ending comes along – priceless! Absolutely loved it.”
Katie Jacobs, West Meon Theatre “The play has four very strong and very different characters – funny and engaging throughout... the end has a marvellous twist. Great fun to do!”
Hazel Town, West Meon Theatre “Thank you for writing such a great play. It was such fun to perform.”
Bryony Wilman, St Michael’s Players, Chiswick “The play is beautifully written, very funny and builds up nicely to its climax”
Keith Jacobs, West Meon Theatre “A perfect piece for local drama groups with humour, broad and subtle, shades of pathos and a witty tale of amateur artistry, pretension, deceit & all the usual goings on in village life”
Fleur de Henrie, St Michael’s Players, Chiswick “The play provides laughs from the outset but towards the end a change in mood allows the audience a moment of compassion in a sea of laughs. This is a great play written by a talented playwright.”
Kevin Quinn, Helen's Bay Players "We produced 'Rude Awakenings' and really enjoyed it. We put two twenty minute sketches before the interval and Rude Awakening as the second half of the evening. We got our local art group to exhibit their work around the auditorium and on stage and had them paint the works of art in the play. They enjoyed being part of the fun. One question for our future reference- when an author specifies a piece of music to be played as part of the performance does the licence fee cover performing rights for the song or do we need to cover that separately - and how? This will arise next year when we are hoping to produce Janet Shaw's 'One Day I'll Fly Away'."
Burdock Valley Players, Upper Clatford Village Hall Rebecca Case, The Daily Echo ‘Rude Awakenings' by Nicolas Ridley saw a Little Gissing host the annual amateur art competition, bringing together four very different women, with all their nuances and complexities. The cast did an excellent job, bringing their characters to life and moving the story along to its unsuspected conclusion. Pauline (Viv Slingsby) was suitably bossy as the chair of a village committee, contrasting with her charge, Astrid (Loren Williams), who gave a good impression of compliance, while Olivia (Anna Dowsett) was perfect as the superior London weekender, as was Harriet (Peta Moffitt) as the dippy school chum.